Ripeness by Sarah Moss

 I read and reviewed this book back in January, and it was published here in May, but it looks like I never put the review here. We'd just found out we were moving then and I was focused on other things. But I saw today that it's published in the US this week, so I'll post my review now.

Ripeness by Sarah Moss

cover art and design is different in the US, I think

This magnificent book takes readers back and forth in time between rural Italy in the 1960s and rural Ireland in the present day as we read about Edith at different points in her life. Edith is a bookish person who grew up on a farm in England and is excited to have earned a place at Oxford University. Her father and grandmother, with whom she lives on the farm, are supportive even as some of the locals consider her a bit uppity. Her mother comes and goes (for understandable reasons) and is against her going to Oxford without taking a year off first to travel first to Italy, then to France, arguing that this would not only improve her language skills, but also give her a wider experience. She makes arrangements for Edith to stay with some friends in each country. Edith goes along with this plan, which gets derailed when she is sent to a villa to be with her older sister, who is unmarried and pregnant. The sisters are quite different--Edith is into words and books while her sister, Lydia, thinks and responds to things in dance. When the story moves to rural Ireland, we're with the 70-something Edith as she goes about the life she's built there, having moved to Dublin as a married woman and going rural at a later point in her life. The chapters of the book alternate between these two settings and to some extent, two Ediths. It's not that she's completely different, but as with all of us (hopefully) with age comes wisdom, often hard-earned, and we inhabit ourselves differently at different times of our lives. This is illustrated beautifully in this book, both in the characterization of Edith at these points in her life, but also in the structure of the book.

For instance, in the Italian sections, Edith is narrating and uses 'I' a lot. It's clear that she is explaining both the events that occurred and what she felt about them. In the Ireland sections, there's an omniscient narrator telling readers what Edith did, said, and thought about. It was an interesting contrast for me as I read. I felt almost like Edith was observing herself and sharing her observations. It's particularly interesting because of her status as a blow-in to rural Ireland. As she acknowledges, she will never completely fit in, will never truly belong--her interactions are almost all performative in some way. The latter is true for everyone to some degree, but as a blow-in to rural Ireland myself, and having been here for over a decade now, I've had time to see how much more it's the case now for me. I can also say that Sarah Moss captured the dynamics of a village in rural Ireland brilliantly, in my opinion. She was spot-on in her descriptions of the kinds of interactions that occur.

In addition to this being a gripping story, I could relate to so much in the book. Themes of belonging or not, who gets to be part of a community, what it means to be a family, what it means to be an immigrant, gender expectations, generational trauma, finding solace and joy in books, and so much more are woven together throughout this excellent book. I highly recommend it. 5 stars

Thanks to NetGalley, the publisher and the author for a DRC.

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